How to make artistic appreciation of jade carving creation
In the eyes of the artist, especially the jade carving master, Saitama is alive. They saw life from it, saw the great wisdom of Chinese culture, and felt the vastness of the universe between the mountains and the waters, and realized the cultural essence of China's inheritance of the millennium. The cause and effect, jade is the beauty of the stone, and how the beauty is embodied, requires the artistic conception, and leads to the meaning of the jade carving works. The meaning of the Chinese jade carvings will be briefly explained from eight aspects: the combination of form and spirit, the interest of the spirit, the implicit and forbearance, the small and medium-sized, the big and the beautiful, the combination of the virtual and the real, the beauty of harmony, and the art. . The blending of these characteristics can form a perfect artistic conception and bring beautiful enjoyment.
Both form and spirit
Jade carving art belongs to one of the Chinese art categories, and pursues the charm beyond the shape in the form of expression. In the jade carving works, it shows "not like", neither figurative nor abstract, between the presence and the absence, depending on the form of the god. In the form of the gods, the meaning of the shape, the combination of the gods and the gods, and the super-shape of the gods, this is what contemporary jade carving people should do in artistic creation.
Only a piece of jade carving with both form and spirit has great penetrating power, and it has the power to touch people's hearts. The art of jade carving should pay attention to the charm of the shape. This is not only a question of carving skills, but more importantly, the spiritual realm of jade carving people. In the process of creation, instead of simply using the characteristics of raw materials or exquisite crafts, it shows a realm of life, a kind of artistic conception with both form and spirit.
Smart interest
In the creation of jade carving, it shows the fun of the spirit, and depicts the meaningful lines on the original stone. The jade carving art turns this into a concrete form of artistic creation. In the quiet, seeking spiritual movements, overflowing from the normal state, arbitrarily dancing, pursuing a clear stream of life. In short, the quiet place is the movement, the movement is the meditation; the movement changes to achieve the most vivid life.
The jade carving works are static. If you are quiet, you will be sluggish. If you are sluggish, you will be lifeless. If you are not angry, you will have no charm. Static is not the goal of artistic pursuit, and the art form needs to have a moving feeling. In the creation of jade carvings, the rhythm of pursuing agility in tranquility is constantly changing and running. The jade carving people are starting their own crouching souls and activating their own creative tools.
Implicit tolerance
The Eastern people pay attention to the aesthetic concept of implicit and forbearance. There are such characteristics in the characteristics of our nation, speaking euphemism, emphasizing conservation, and the connotation beyond the image is the goal that people pursue. The performance of beauty should be a seemingly unrealistic creation. Throughout the beauty of jade carving art in China, there is always a sense of winding path.
The Chinese jade carving art, through the twirling conveyance, produces an elegant aesthetic, which makes the work itself a kind of tension, creating a reverberating space and displaying rich artistic content. The connotation of implied concealment is reflected in the works, which is better than the external strength; the beauty is found from the winding path, which is better than the straightforward beauty.
Xiaozhong see big
The Chinese have this view: one flower, one world, one day. It clarifies that the Chinese people have a small wisdom to reflect the oriental aesthetics, and the jade carvings that have traditionally been called "foot-and-water" are even more so. The mountain is as large as a few meters high, and the jade card as small as a few centimeters is the embodiment of this view.
In the creation of jade carvings, the principle of small and big is generally followed. In the small design space, the sea is full of rivers and rivers. In particular, Jade Carvings, through its unique design, enables appreciators to experience a vibrant world under the guidance of their scenery, thus showing the soul of the mountain. Jade Carving Mountain can be said to be a miniature version of the natural world. It is a small world, which is to follow the scenes of nature and performance. Without the performance of such scenes, there is no transformation mechanism from small to large.
Big and smart
The design of jade carving is based on the elements of Chinese painting and calligraphy in many aspects, influenced by the cultural connotation of painting and calligraphy, and pursues the principle of “external and anointing, seemingly light and solid†in some subject matter. Such as the dead image of dead trees and rock formations, to show the profound truth - seeking beauty in ugliness, seeking truth in blame, seeking common reason in absurdity. It also implies a profound philosophical reason: the juvenile is ingenious, ingeniously turned into a childish, flat is real, and the low point of life breeds hope.
In the eyes of jade carving artists, the essence of traditional culture is absorbed, the spring is seen in the dead wood, the beauty is seen in the strange stone, and the fragrance is scented in the fascination; it is not easy to be clever, and it is not easy to be clever.
Combination of virtual and real
When admiring jade carving art, we often use the combination of virtual and real to describe, and the combination of reality and reality is an important category in Chinese aesthetics. The combination of virtual and real, there is reality in the virtual, there is virtual in the real. Between the two sides, Chinese art pays more attention to imaginary, because it is transmitted from the imaginary, imaginary ethereal, inherently practical, ethereal and clear, and has a real beauty.
The ethereal spirit of jade carving works is not a simple design, the picture is empty, but an ethereal spirit. The key is not the number of pictures, but the artist's spirituality. In the movement, it is better to seek in the quiet, to find the scene in the real world, not to find the scene in the air, to construct an imaginative space in the combination of the virtual and the real, so that there is a scene in the scene, like the outside. Appreciating such jade carving works is like being immersed in the situation, slowly blending into the wonderland of this combination of reality and reality, you will find that there is a beauty of the soul.
The beauty of harmony
The beauty of harmony is mainly reflected in the composition. A reasonable layout and unique design will present a work with harmonious beauty. The true beauty of harmony falls from the form of appearance to the harmony of the creator into the heart. Through the form of art, jade carvings show the beauty of harmony, that is, the blending of scenes. Chinese traditional aesthetics believes that the unity of the scene is harmony.
Completing the affinity between man and nature in the creation of jade carvings, using all the elements of nature to be displayed in jade carving works, forgetting the interests, breaking free from bondage, and bringing themselves into a new world, creating a strong soul shock and feeling Unexperienced experience, a deep and heart-felt pleasure. Such a state can produce a good work, not just imitating and repeating.
Art road
In ancient China, there was a saying that art was a way of saying that skill was only a medium, a means, a tool to achieve "dao", and all forms of art must go beyond "technology" and move toward "dao." The art of jade carving has been inherited for thousands of years. Because of its inherent connotation and special sustenance, it is inhabited by the creator's soul. It contains the essence of Chinese traditional culture for thousands of years, and it can last for a long time.
The jade carving artist sent a message to Yunshui, sent a message to the mountain forest, sent art to the art, and completed the journey of the soul with art. With the words of words, swimming in the arts, in which to get a kind of moral satisfaction. This view, in the jade culture, is to cater to the old saying "modest and gentleman, gentle as jade", the art of jade carving, is the embodiment of virtue.
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