Does the jade carving master's work have great potential for appreciation?
Hetian jade is the carrier of Chinese jade culture. It has more than 8,000 years of history and culture and has always attracted people's attention. The jade carving masters in the jade carving industry are naturally the best in technology, and these true jade carving masters are all recognized by the state. The works are the “boutique and Tianyu†and “master works†that people deserve to collect.
Why do master works definitely appreciate?
Of course, not all masters' works will appreciate. On the whole, in the domestic jade processing field, the producer's cultural level and craft performance are also mixed. Even the masters must see whether their craftsmanship is superb. Therefore, the key is to look at the artistic quality of the work itself.
In recent years, the most obvious appreciation is not the best jade carvings of jade, but the works of masters. The difference between the jade carving masters and the ordinary jade carving masters is that they can make good use of the raw materials as much as possible, including every nuance of the jade material, so as to save the materials, which is also the greatest respect for the value of Hetian jade.
At the same time, they are also artists, they give the artistic content of raw materials, so the price of the final work contains two parts: raw material value and artistic value. Many times, a jade carving art, giving it the artistic value, far exceeds the value of its raw materials.
Nowadays, the masters of jade carvings are very few, some are one year, and some are one year. These works are all excellent in jade and exquisite jade carvings. The price is naturally unattainable. !
How to judge the craft of jade carving works?
First, look at its overall layout.
A good work must be a good painting. The first sight we see must be particularly comfortable, giving us a pleasant visual experience. The size ratio and positional relationship of the engraving pattern are very important. The proportion of good works should be very harmonious, which is completely in line with the golden ratio we are talking about, and the good rhythm should be dense and uncluttered.
The second is to look at the image it has carved. If a work has problems with the design of the image, then it is a very bad thing. We will make a comparison with a simple work, I believe that Yuyou will have unique insights.
Second, look at the pretty carving
Nowadays people are pursuing skin color, so the seed material will have a skin color. However, many works will also have a problem, that is, the skin color is abused. Skin color is one aspect of the proof of the seed material. In the essence, many people are carving things, and they will think that the more the skin color is, the better, and no matter where the skin color is, whether the skin color is good or bad, large area. Retained, but in fact this is the opposite.
The color of the skin color will be icing on the cake, and the good jade carving master can make a piece of inconspicuous material live, so that the jade carving master can be called a master-fam.
Third, see the details
After looking at the whole, it depends on the details of it. The details can be easily viewed from three aspects: point, line, and face.
1 o'clock. The smaller the jade carving, the harder it is to engrave, so you can observe it from the most subtle.
On the basis of reasonable composition, compare the engraving differences at each point. For example, a dragon with a jade carving, a dragon scale engraver should be neat and natural, and the knife marks are like flowing water. Another example is the carving of the characters, whether the facial features are clear and exquisite, and whether the expression is full of rhyme.
2, lines. Lines are an important aspect of seeing jade carvings. Is it stiff and the lines are smooth, but how do you actually look at the lines?
First look at its fineness. "The food is not too tired to be fine," this sentence is also applicable in jade carving. Fineness is the degree of attention to the lines. Whether the lines are full, even and smooth.
3, noodles. Looking at it can also be said to look at its layering.
Whether the level is clear, from the details, whether the polishing is in place. Some jade carvings, the levels are ambiguous, there is no ups and downs, there is no fine grinding, can not distinguish the intersection of the bottom and the relief and so on.
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